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CHAPTER XII THE CIRCUS By this time Betty was getting hoarse and instructed her perspiring assistant what next to shout and the most fetching modulations of voice to use. The change in program was bellowed in Moses’ raucous voice, “An orstrich here, only fifty cents to see a live trained orstrich!” A huge swallow and he continued, “Brought from Carliforny and trained by the famousest lady Betty Wopp.” After further instructions he went on, “This orstrich is named Job Wopp. He kin lay the largest aig in the world, kin run faster than any horse, could strike you dead with the hoof of his clawr.” Further whispering on the part of Betty and the address concluded, “Yet, ladies and gents, he is as gentle as a spring chicking.” “O, that chestnut!” scornfully ejaculated Isobel..

“Betty Wopp,” she exclaimed, “you couldn’t be no wetter ef you’d fell in the big slough. Come on to the house an’ change yer clothes. St. Elmo ’ll need warshin’, too, I reckon.”I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.

This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress. “Oh, Billy, how could you, when mother has so much to do?” It was his sister, Edith, who spoke, her sweet face clouded with rare disapproval. Yet she went on with the music lesson she was giving. “Oh, he is a wonderful piannerist,” explained Betty. “He played, Oh, jist lovely, jist like birds singin’ an’ rivers runnin’ an’ the sun shinin’. But arfter he played he looked so fierce I was skeered of him. Miss Gordon didn’t like him either, arfter she got knowin’ him better.” “Where you’ll be safe till I let your father know I’ve got you.”.